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Comas - A Def Needle in... |
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ALBUM REVIEWSPick of the Chick: Our Favorite Releases, 1999-Present |
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The Comas continue to live up to their name by delivering another album full of "I-just-rolled-out-of-bed" grooves. A Def Needle in Tomorrow, the band's second album, builds on the sounds established on their debut Wave to Make Friends. These sounds are similar to the left-field stoner-rock of groups like the Beta Band. But unlike the Beta Band, who frequently go off the experimental deep end, the Comas use their electronic tinkerings to engage the listener. The result is quirky, yet highly accessible, alterna-pop. A Def Needle in Tomorrow is a more focused and consistent effort than Wave to Make Friends. Although Wave did have some shining moments (e.g., "Fader"), the album as a whole didn't gel. In contrast, the tracks on A Def Needle flow together seamlessly. And the Comas' melodies seem to be getting even sweeter. On tracks like "Tiger in a Tower," these melodies, which are delivered by the great harmony vocals of Andrew Herod and company, pull you right into the groove. At times, it's difficult to make out the words on the album, and there's no lyric sheet. With song titles like "Sweet Sweet 69," you really would like to hear every word--at least I would; call me curious (or just perverted). Ultimately, the Comas' words are framed by such sweet-sounding music that it really doesn't matter what the hell they're saying. Quirky electronic sounds, including odd noises, electronic tinkerings, and effects, are strategically placed into the mix to keep your ears focused. One example is the slow-as-molasses hip-hop scratching on songs like "Sister Brewerton." This novel sound has become one of the band's trademarks and adds to the laid-back feel of this album. A Def Needle in Tomorrow works best when you forget about the words and just absorb the grooves. PIGEONHOLE: Stoner alterna-pop.
Andrew Helminger |
THE COMAS
