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THE METERS
STRUTTIN' (REISSUE)
SUNDAZED
Led
by Art Neville (the oldest of the Neville Brothers), the Meters were one
of the first funk bands to hit the music scene. The Meters began
their career in the mid-'60s as a backing band for some of New Orleans's
premier musicians, including Lee Dorsey, Betty Harris, and Aaron Neville.
By the end of the decade, the band had a following of its own after several
singles hit the national R&B charts.
Sundazed
has reissued three early Meters records that were originally released on
the Josie label. Struttin', the band's third album, is a nice
blend of slow-groove funk and mellow soul. Unlike later funk music
that incorporates horns, the Meters's approach is much simpler--drums and
bass lay out tight rhythms while a warm organ and a scratchy guitar fill
out the groove.
Most
of Struttin' consists of instrumental funk. Although some
of these songs like "Same Old Thing" and "Meter Strut" (a bonus track)
have a little bite, most show the Meters dishing out a more laid-back groove.
One highlight is "Tippi-Toes," where chicken-scratch guitar licks dance
over a catchy bass riff. "Tippi-Toes" was even covered by Primus
on Miscellaneous Debris, which shows just how far-reaching the Meters's
influence is.
Struttin'
isn't all instrumentals. "Darling, Darling, Darling" is a soul cover
that showcases Art Neville's singing talents. "Ride Your Pony"
is another excellent, although sexually suggestive, cover sung by Neville.
This tune isn't Prince's "Erotic City," but it is pretty suggestive for
1970. The only cut on this album that's hard to swallow is "Chicken
Strut," a novelty song that features drummer Joseph Modeliste cackling
like a chicken. The cuteness wears thin after half a listen.
Barring
"Chicken Strut," Struttin' provides an interesting and entertaining
look at early funk. If you like the funky organ grooves of Medeski,
Martin, & Wood, check out Struttin'. The Meters wrote
the book on this stuff, and Struttin' is one of the best chapters.
PIGEONHOLE: Laid-back, early funk with a touch of soul.
CAVEATS: The Meters's style of mellow funk isn't the kind of music most people think
of when they hear the word "funk." Folks looking for the high-energy
funk of the JBs or Parliament/Funkadelic may find this album disappointing.
Andrew
Helminger
listen to samples
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