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MUDHONEY
MARCH TO FUZZ
SUB POP
So, you're a grunge aficionado. You've got
all the albums by Nirvana, Pearl Jam, and Soundgarden. You've got
ALL the best music grunge ever had to offer. Or do you? Got
any Mudhoney?
Although bands like Nirvana became the poster
children for grunge, Mudhoney was one of the first bands on the Seattle
scene. They were also one of the most important. Mudhoney exuded
more raw punk energy than all of the other grunge bands combined.
And it was Mudhoney's music that set the stage for grunge's world domination.
Mudhoney called it quits in 1999, but Sub Pop
has just released a two-CD (or, if you prefer, three-record) retrospective
called March to Fuzz. The first disc features the best material
off of Mudhoney's seven studio albums and numerous singles. All of
the classic tracks are here, including "Touch Me I'm Sick," "You Got It,"
and "Let It Slide." This is distorted guitar fuzz at its best.
Tracks with titles like "Judgement, Rage, Retribution,
and Thyme" show Mudhoney didn't take themselves too seriously. This
factor probably kept the band from hitting it big, but it adds to their
charm and distinguishes them from those that did.
The second disc contains 30 tracks of rarities
and B-sides. The CD demonstrates Mudhoney's range and shows that
these guys were more than a one-dimensional grunge band. They explore
surf, alternative country, new wave, pure punk, and even metal. There
are some interesting covers here, including Elvis Costello's "Pump it Up"
(from the PCU soundtrack), the Angry Samoans's "You Stupid Asshole,"
and the Damned's "Stab Your Back." This disc features other covers
ranging from Roxy Music's "Editions of You" to Motorhead's "Over the Top."
March to Fuzz is a great way to flesh out
your grunge collection. And, of course, Mudhoney gives you the kind
of indie credibility that Nirvana, Pearl Jam, and Soundgarden just can't
deliver.
PIGEONHOLE: Classic grunge from one of Seattle's
most important (yet under-recognized) bands.
CAVEATS: Mark Arm's screamed vocals may be too
intense for some listeners. The "best of" disc also drags a little
at times, but the variety on the "rarities and B-sides" disc more than
makes up for it.
Andrew
Helminger
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