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SPACEHEADS
ANGEL STATION
MERGE
Although the indie
press has praised American post-rockers for their instrumental noodling,
England's Spaceheads are the ones who are truly raising the bar for instrumental
music. Spaceheads challenge the post-rock notion that innovative
instrumentals must be subdued. This duo serves up a trippy, beat-heavy
alternative to the often dull offerings of the post-rockers. And
Spaceheads do it using two key instruments--drums and trumpet.
Angel Station
is the Spaceheads third studio album. On tracks like "Trance Figure
8" and "Angel Station," drummer Richard Harrison hammers out tight, fat
beats while Andy Diagram creates walls of sound using trumpets dripping
with effects. Diagram then tops off the mix with blistering trumpet
solos.
Angel Station
isn't all driving beats and pulsating brass. Spaceheads give the
listeners a chance to catch their breath with mellower cuts interspersed
among the body-rocking grooves. On "Road Sweeper," real frogs creak
over an undulating synth loop. A trumpet then creeps into the mix
to provide some melodic color. "Magic In The Space Age" provides
another dreamy soundscape with synth and echoed trumpet, backed by percussive
tinkering. This track and "Heads In Orbit" have a Krautrock vibe
reminiscent of Faust and Can.
Spaceheads aren't
the first musicians to use the trumpet as a centerpiece for experimental
rock--Mark Isham, for example, has taken an experimental approach to the
trumpet since the early '80s. (For a taste of Isham's work, check out his
performance on David Torn's excellent Cloud About Mercury.)
What makes Spaceheads approach so unique is the way they've manipulated
the trumpet's sound with electronic effects. They've stretched the
range of the trumpet, creating all new avenues for the instrument.
Angel Station
is a sonic trip that's well worth taking for those who enjoy instrumental
music. American post-rockers beware. You've got competition
from across the pond.
PIGEONHOLE: Trippy
instrumental grooves, featuring drum and trumpet.
CAVEATS: This album
may be too experimental for some listeners.
Andrew
Helminger
buy this album (sorry, no samples) |